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Àç¹ß¸Å¹Ý.½Åº¸(LP/CD) > LP > »ê¿ï¸² Vol.1: Already Now (180g) (¼öÀÔ ¿ÏÁ¦Ç° ºí·¢¹Ý)
Àç¹ß¸Å¹Ý.½Åº¸(LP/CD)


»ê¿ï¸² Vol.1: Already Now (180g) (¼öÀÔ ¿ÏÁ¦Ç° ºí·¢¹Ý)
Á¦Á¶È¸»ç : 2024.10.24.½ºÆäÀÎ (GUERSSEN)
ÆǸŰ¡°Ý : 46,000¿ø
Àû¸³±Ý¾× : 900¿ø
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* Original artwork in hard cardboard sleeve
* Sourced from the original masters
* Insert with liner notes and rare photos / memorabilia
****************************************************************

Side. A

1. ¾Æ´Ï ¹ú½á
2. ¾Æ¸¶ ´ÊÀº ¿©¸§À̾úÀ» °Å¾ß
3. °ñ¸ñ±æ
4. ¾ÈŸ±î¿î ¸¶À½
5. ±× ¾ó±¼ ±× ¸ð½À

Side. B

1. ºÒ²É³îÀÌ
2. ¹® Á» ¿­¾îÁà
3. ¼Ò³à
4. ûÀÚ (¾Æ¸®¶û)

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Àü¼¼°èÀÇ Rock, folk, Funkµî ¼û°ÜÁø Èñ±Í ¸í¹ÝµéÀ» ¿Ï¼ºµµ ³ôÀº Ä÷¸®Æ¼·Î Àç¹ß¸ÅÇϸç ÇöÀç ÃÖ°íÀÇ ¸®À̽´ ·¹À̺í·Î ÁÖ°¡¸¦ ¿Ã¸®°í ÀÖ´Â ½ºÆäÀÎÀÇ 'GUERSSEN' ·¹À̺íÀ» ÅëÇØ »ê¿ï¸²ÀÇ Á¤±ÔÀÛµé(1~3Áý LP)°ú ÄÄÇÊ·¹ÀÌ¼Ç ¾Ù¹ü(2LP)ÀÌ °ø½Ä ¶óÀ̼±½º ¹ß¸ÅµÇ¾î À¯·´°ú ºÏ¹Ì¸¦ ºñ·ÔÇÑ ¼¼°è ½ÃÀå¿¡ ¼Ò°³µÈ´Ù.

±× µ¿¾È ¿©·¯ Â÷·Ê ÇØÀû¹ÝÀ¸·Î ¹ß¸ÅµÉ ¸¸Å­ ÇØ¿Ü¿¡¼­µµ ³ôÀº ÀÎÁöµµ¿Í Àα⸦ ¸ð¾Ò´ø »ê¿ï¸² ¾Ù¹üµéÀÇ Ã¹ °ø½Ä ÇØ¿Ü ¹ß¸Å´Â ±× ÀÚü·Î Å« ÀÇÀǸ¦ °¡Áú »Ó¸¸ ¾Æ´Ï¶ó »ê¿ï¸²ÀÇ À½¾ÇÀ» ¿À·§µ¿¾È Áñ°Ü ¿À´ø ¸¹Àº À½¾Ç ¾ÖÈ£°¡µé¿¡°Ôµµ Å« ¼±¹°ÀÌ µÉ °ÍÀÌ´Ù.

Debut album by Korean psychedelic fuzz masters and the perfect introduction to Sanullim's unique world.
Formed in the early 70s by the three Kim brothers while they were still in University, Sanullim managed to release their first album in 1977 despite censorship, misunderstanding from their record company and rudimentary recording techniques problems. Fuelled by piercing psychedelic fuzz guitars, Farfisa styled garage organ, keyboards and sweet melodies, the created a very unique sound, unheard in Korea at the time. Including some of their most iconic songs like "Already Now" and ""Likely Late Summer" (famous for its inclusion on the "Love, Peace & Poetry" series.

"Their debut album featured a blistering fuzz guitar sound that bleeds in and out of the mix as well as what sounds like a tinny Farfisa set behind the sweetest of pop vocal melodies, and the nine tracks stretch out into strangely hypnotic diversions. It's easy to grasp how psych and garage heads coming to these tracks cold would find much to dig here, and also simple to see how the recordings could be mistaken for something cut many years earlier" - Hugh Dellar (Shindig!)

 
 
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